Clips of protesters dying in consequence of current conflicts appear more and more frequently on YouTube. What do they trigger? How do they change the media and the way we perceive things? These are the questions investigated by a media scientist using the example of the conflicts in Iran and Syria. She has realized that images of dying people, even those shot from the dying person’s perspective, are nothing new. What has changed is the quality of the images; the encounter with death is more intense, more intimate. What does that do to the viewer? What impact do such videos have on people affected by conflicts?
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